Other clubs in and around
Saturday, June 19 found Ryan Green and Cameron
Hood scheduled to appear at the Café as guests of another act, Infinite
Frequencies, which features musicians rumored to be working with Ryan and
Cameron on the recording of their second CD.
They are fabulous players.
Being “guests” always means you’ll hear a
truncated set, and this night was no exception. Ryanhood’s set consisted of five songs. The quantity may have been in short supply but surely not the
quality. Ryanhood inundated the Café
with their perfect synergy of vocal harmony and highly skilled playing,
producing sounds akin to a full band.
In fact, Ryanhood indeed augmented their duo format on one song to
include a bona fide rhythm section.
Ryanhood devotees were treated to something much
different than their usual set. It
began with their signature opener, “Oh No,” with a smooth transition to a new
Cameron Hood composition, “Gardens and the Graves.” The set continued with two Ryanhood crowd-pleasers, the
as-yet-unavailable “Welcome Into My Head” and “Rosemary.” The forthcoming CD tentatively titled Forward
promises to be a formidable step forward in terms of power and energy as
compared to their beautiful but relatively tranquil first CD, Sad
and Happiness.
The set ended on a rare note for Ryanhood. Another yet-to-be-released set staple,
“Army,” was performed with the able assistance of Infinite Frequencies bassist
and drummer, Josh Johnson and Jordan Lipp, respectively. Performing this hitherto energetic song
within the framework of a full band brought it to a fever pitch. Other bands beware; Ryanhood is capable of
rocking out with the best of you.
Ryanhood’s spirited set was immediately followed
by Infinite Frequencies’ unique blend of funk and jazz-tinged power pop. Singer/guitarist Ian Wilkerson and
keyboardist (Dr.) Jon Altman round out this promising quartet, and it was hard
to fathom that this was just their second performance. They are certainly a band worth watching out
for.
Ryanhood never falls short of converting
unacquainted listeners as fans and potential enlistees in The Ryanhood
Army. Two young women waited for an
extended period of time after Infinite Frequencies’ set for Cameron Hood to
reappear in the club to tell him how much Ryanhood’s performance moved
them. Cameron has otherworldly sense
about what to say to listeners between songs and how to say it. Other bands and musicians can learn much
from observing this relatively young but wise artist. His presence resonates with audiences, as does the combined
sounds of him and his magnificently talented partner Ryan Green.
I have already witnessed it time and again.
David D.